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Showing posts with label Grigory Novikov. Show all posts
Showing posts with label Grigory Novikov. Show all posts

Friday, November 7, 2014

Don't Perfect Your Mistakes




The notion of practice makes perfect has deeply rooted in our culture. Living in a world that is driven by rewards, it is inevitable to assume that with better performances we should reap greater rewards. Individuals who desired to perform will work hard and smart to get the goals they yearned for. They want to get better in doing their jobs so they learn and practice hard. The reinforcements on this notion has turned it into facts through time. Many people firmly believe that with persistency we can expect results. Or does it?

More than often, people who are driven by rewards get burnt out faster. There is little doubt that these people will learn and practice real hard at the onset. However their fuel just ran out rapidly. With the absence of drive, a.k.a. energy, performing will not be likely and much less getting any rewards. So what will happen to them? They switch jobs in hope to find better or greener pastures "on the other side". I think we know what will be the eventuality.

What about doing it with passion? Learning and practicing with passion as the energy source? It does sound like the answer to today's widespread of disengaged workforce. Passion can drive us to practice consistently thus achieving perfection. The world have us believed that this is the holy grail to success in life, i.e. Practice Makes Perfect.

What has this got to do with guitars? Please read on…

Do you know Dirty Jobs? It is a cool program in Discovery Channel that features professionals doing jobs that are downright dirty and filthy. This program is hosted by Mike Rowe. He is very well respected by the viewers. He has once shared with his viewers about the notion of following your passion. Mike was pragmatic about it. He said, "Don't follow your passion. Bring it to you instead."

Make no mistakes, Mike is crystal clear about the reasons behind his words. He cautioned that passion may be too flicker to follow. He saw many people switching from one job to another. Each job switch was justified by the notion of following your passion. He also met people who stay on course but they still gotten nowhere. So what is Mike thinking?

Firstly, Mike thinks that just because people follow their passion, it doesn't mean they are not going to be suck at it. Secondly, passion with no direction can lead people into the abyss. So does practice makes perfect? Perhaps the argument that practice does make perfect isn't the crux of the matter. We should challenge this deep rooted notion and ask, "Why practice doesn't make perfect?" I will attempt to relate it to guitar making and guitar playing.

It is safe to assume that people who buy guitars will at least like playing it. While there are exceptions, let's stick to those who like playing guitars. I started playing guitar in 1991. With no formal mentoring, I taught myself to play the instrument. After two decades of practices and playing, I thought I could play properly. Moreover, my enthusiasm for playing guitars has never diminished. Instead it was constantly growing. But I have never been more wrong.


Fortunately I was given opportunities to organize guitar festivals in overseas. Through the experiences, I made friends with world-class guitar players. It was during about the same time frame I studied guitar making with Jeffrey Yong. The numerous interactions with them have made me realized that my guitar playing was at best mediocre. It wasn't about lacking in effort and enthusiasm. I was simply oblivious to the rudiments of guitar playing. For two decades it was all but proper guitar playing for me. I have indeed perfected my mistakes.

After the shocking revelation, I began to make conscious effort to unlearn and relearn. This arduous journey was worth it. However it was by no means pleasant. Dismantling my perfected mistakes was indeed tougher than I can imagine. Throughout, I have learnt tremendously from Jeffrey, Shun, Ernest, Don, Grigory. Now I am a lot more discerning in the ways I practice and play.

Without the passion for guitar playing, I would have stopped earlier. Invariably the pure instinctual passion kept me going but it didn't make me a better player. In essence, following your passion doesn't mean you won't suck at whatever you are doing.

It is also time to address why practice doesn't make perfect. Proper guitar playing demands for precise synchronicity of both hands, body posture, sense of rhythm, etc. Without proper guidance, it is so easy to overlook these aspects. I focus only on left hand techniques, a.k.a. fretting hand because I wanted to only play fast. The quest for speed has subordinated the need to build strong foundation. As a result, my past practices were everything but perfect (accurate). This is why practice doesn't make perfect, only PERFECT practice makes perfect.

Arguably the most difficult task is determining what constitutes perfect practice. Since I didn't know enough when I started then how could I have knowledge of perfect practice? It appears to be a paradox especially for novices.

Indeed it wasn't plain sailing. Shun Ng is probably the most talented guitarist ever produced by Singapore. His guitar learning journey wasn't unstructured or unguided. He has very qualified persons who have provided him with proper coaching thus his playing is what it is today, i.e. top notched among the world class players. May I add that on Shun's enthusiasm and energy in practicing guitar was almost tireless. He can practice up to 16hrs a day. With these unique yet matching ingredients, Singapore has a champion guitarist. So use your passion to seek for accurate and proper guidance instead of squandering it all in the pleasure of playing.

Shun Ng

After I have come to terms that my two decades of practice was worthless, I began to observe good players but with a different attitude. Instead of admiring the speedy fingers, my senses were more acute and I was able to pick up many other aspects other than speed. It includes finger placement, finger switching, use of chord voicing, body & arms posture, controlled string attack, musicality, etc. While I have discovered many more aspects, they didn't overwhelm me. They made perfect sense to me.

Gradually I have changed the ways I practice guitar totally. Today I have various set of practices to target on specifics. The most important was probably having the consciousness to adopt practices that are accurate. Also to be cautious of bad habits tendencies. Each practice ought to be accurate and relevant. By doing that, I think it should qualify as PERFECT practice. What do you think?

At this juncture, let me recap the salient points. Passion does provide the energy that keeps us going but it doesn't necessarily point to the correct way(s). Practice doesn't make perfect because we can spend our lives perfecting our mistakes. Make effort to learn from the best, discover the best practices and turn them into your own suite of PERFECT practice.


熟练未必能生巧,精确又熟练才能生巧.

This notion of only PERFECT practice makes perfect can be applied to many things we do. Especially in expanding our capabilities to undertake demanding tasks or as a personal effectiveness pursuit. Remember don't stifle your passion. Invariably, don't let it run wild as well. Set a GPS to the best course and attached it onto your passion before you let it out.

It isn't easy to sustain the attitude of PERFECT practices. You have to make your mind if you are really hungry for it. I shall conclude with this saying, Mind over matters. If you don't mind, it doesn't matter.

Wednesday, May 22, 2013

MIGFEST 2013 - My personal experiences

All-star jam, Superstitious

MIGFEST is indeed a catchy term that can stick in people's heads. To those who don't recognize this abbreviation, it stands for Malaysia International Guitar Festival. It was held in Kuala Lumpur, in Malaysia's cultural iconic center for promotion of Arts, the Krafttanga Center from 26 March to 29 March 2013.

Taken from: http://www.migfest.com/

The road to the show wasn't easy. There were eleventh hour surprises and changes which resulted in the initial proposed date to be postponed from November 2012 to March 2013. It was likely linked to the volatile political situation in Malaysia then. Such events can only happen when sufficient funding is guaranteed. The effort to secure funding was nothing short of summiting Everest. After numerous moments of finger-biting, the show finally materialized.

This festival wouldn't be possible with the invaluable support from Malaysia's Ministry of Communication, Information and Culture. Not forgetting Nik the main anchorman, who was passionately guiding the show in the background as well. In the foreground, Jeffrey Yong was handling the main operations. He was certainly one of the anchormen of the festivalas well. I was fortunate to be invited to provide my assistance in areas where things might have been overlooked. So I was pretty much like a jackknife, pluggin gaps as the show unfolds.

MIGFEST website: http://www.migfest.com/

The festival has 4 eventful days. It was driven by three key activities, i.e. concert, exhibitions and artists showcases. Each day MIGFEST 2013 @Krafttanga Center opened its door to guitar enthusiasts at 1000hrs. The exhibitors were all ready for businesses then. After lunch from 1400hrs onwards, at every hour an artistes will be featured in the daily showcase. The showcase allows the artistes to interact with the audience informally where they discussed a wide range of subjects. In the evening at 2000hrs, the nightly concert will round up the entire day with the exception for day 4 because it ended at 1500hrs.

The MIGFEST was boosted by a strong international artistes line up (see below for the full list). Not only they were great guitar players, they were in every way splendid performers as well. The sheer diversities in musicality and style was able to satisfy the varying preferences of the audience.

For three nights, the international artistes have given their best. The concerts were nothing but spectacular. On the final concert, it was an all-stars night. Most of them performed in duo formats. The wrap up the all-star concert night, every artiste was called to the stage and they showcase their rendition of Steven Wonder's classic, Superstitious. The crowd was fully entertained. To bring the performance to another level, Shun invited Nik to the stage, joining them in the jamming session. It was splendid indeed!

Shun inviting Nik
Nik is natural!




The exhibitors are made up of Malaysian retailers, music educational establishments and regional guitar makers. MIGFEST has provided a platform for these stakeholders to interact freely. Much ideas and learning were exchanged. Above all, the acquaintances made were most invaluable. The regional guitar builders were against many odds to keep their guitar building passion alive but they didn't stop. Mostly self-taught, they hone their guitar building skills in environment where content resources are limited and accessibility to quality equipment support isn't straightforward.



My personal perspective on the Malaysia acoustic guitar circle, and it doesn't represent the entire picture; it was clear that the acoustic guitar circle was still emerging, much like Singapore. There was no lacking in enthusiasts however they could enhance their awareness in areas like differentiation of tonal quality, finer points in playing techniques and the essence of performance. The local heros form the critical mass in supporting and sustaining the growth in this area, invariably they determine the survival of the retail and services businesses of acoustic guitar and consequently the standards of playing. These local heros are contributing from various facets like retailing, repair services, guitar teachers, guitar makers and performers. The MIGFEST has certainly helped in raising the awareness among the guitar enthusiasts in Malaysia. I was glad to be acquainted with some Malaysia guitar heros that form the critical mass in influencing the scene. Picture of myself and them are below.

Wen Wei, Reeve I, and Ray
I and William Kok
I, Hady and Aki Tanaka

As like any events, nothing is perfect; MIGFEST was no exception to this. The venue was suitable, there was no lacking in manpower, food was catered for the crew, ample spaces were allocated to logistics, and good amplifications were provided for the artistes. As the festival moved into higher gears, signs of disconnection were evident. Nonetheless the passion to drive it prevailed.

The most invaluable moments for me must have been the informal interactions I had with the artistes. We traded stories of other festivals of the good, bad and ugly, we stayed up late to enjoy each other's company, walking from hotel to the nearest 24-hour food joint, cracking jokes, etc. There was no ending… I will surely cherish the friends I have made in this festival too.

Overall, my participation in this festival has strengthen my awareness in events organization. My capability in evaluation has been sharpen as well. However nothing beats the friends I have made in this show.

For more information regarding artistes and exhibitors, goto: http://www.migfest.com/

For pictures galore, goto: Facebook - MIGFEST 2013

International Artistes line up,
1. Akihiro Tanaka
2. Don Alder
3. Dan LaVoie
4. Shun Ng
5. Adam Del Monte
6. Grigory Novikov
7. Huang Chia Wei
8. Roger Wang
9. Kelvin Loh
10. Sham V Trad

Malaysian Artistes line up,
1. William Kok
2. Ray Cheong
3. Andy Ngew
4. Faridian Jazz Trios
5. Az Samad
6. Hady Afro
7. Reeve Jia Ming

Exhibitors line up
1. Jack Spira Guitars
2. Jeffrey Yong Guitars
3. Secco Guitars
4. Maestro Guitars
5. The Guitar Store
6. Naga Guitars
7. Fusion Guitars
8. Music@u
9. L Luthier
10. William Kok Music
11. Farid Ali Jazz Music
12. Capen Music
13. Chanta Guitars
14. Wiroon Guitars
15. Parekh Export
16. Edward Hiew Guitars
17. Tarrega Guitar House
18. Morrison Guitars
19. Guitar Empire
20. Ray's Guitar
21. Bas Guitars

Thanks for reading!